![]() It is all right as a diversion for him, probably … But why he should be called an author, or why any of us should behave as if he were, has never been satisfactorily explained to me." At the last minute, he had asked his editor if they could change the new novel's title to Under the Red, White and Blue, but it was too late. When his third novel was published, on 10 April 1925, a characteristic review complained: "The boy is simply puttering around. And it’s not until this brilliant moment that we’re reminded of Luhrmann’s talent for swirling the past with the present, as he did with 1996’s Romeo + Juliet.They called him an "ultra-modernist" and dismissed his books as overrated and forgettable, just "so much unnecessary evanescence travelling first class". For "Bang Bang," will.i.am cleverly embeds the instantly recognizable melody of "The Charleston,” Jimmy Johnson’s 1923 soundtrack to the Roaring Twenties. Similarly, Lana Del Rey’s torchy “Young and Beautiful” casts an icy coat of soul-tortured vocals over a lush and symphonic soundscape. Played to the rhythm of a slowed heartbeat, the song includes an eerie, Ennio Morricone–styled spaghetti western guitar lead, helping make for a song that’s almost as haunting as Winehouse’s life story. Beyoncé and André 3000 turn Amy Winehouse’s “Back to Black” into a chilling duet. “100$ Bill” is a hip-hop hit that’s just as lavish as Jay Gatsby himself. Although the story takes place during America’s Jazz Age in the summer of 1922, it’s Jay-Z and not Louis Armstrong who opens this compilation. Scott Fitzgerald’s most notable novel is deliberately anachronistic. ![]() This 2013 soundtrack to Baz Luhrmann’s silver-screen adaptation of F.
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